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Mary-Louise Parker remains a mesmerizing presence, but Weeds' final installment burns the series' remaining goodwill down to a sorry roach with perfunctory plotting and a sense that this story no longer resembles the one fans fell in love with. Benefiting from a change of scenery and a renewed sense of purpose for Nancy Botwin, Weeds' seventh season overcomes its lack of narrative direction with solid characterization. Weeds hits the road in a sixth installment that begins and ends strongly, but an unhurried, shapeless center sucks some of the joy out of the ride. Weeds remains engaging with bursts of heart and wit, but loses narrative momentum as Nancy Botwin's motivations become increasingly obtuse. Weeds, like its heroine Nancy Botwin, drastically reinvents itself to mixed results in its fourth season, upping the stakes to entertaining effect, but also losing the grounded reality that made its peaks so compelling. Weeds' mellow buzz gives way to constant peril in its third year -- luckily the series remains a delight, thanks to a talented ensemble spearheaded by the thrillingly unpredictable Mary-Louise Parker.
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She is an equal opportunity exploiter. If anything, Nancy is more ruthless than ever. As of last week, she also is Zoya-less. Our imaginations reeled, but the memento turned out to be practical, allowing Nancy to sort through hot coals at a spa to find a hidden key, which unlocked a store of illegal weapons. Over the next six episodes, Nancy, being Nancy, finds another boy on the side, Chuck, as well as a way out of the halfway house. But then she visits the Sarge, whose name is Demetri, and finds a surprise guest: Zoya is out of prison and not thrilled to learn that Nancy is sleeping with baby brother.
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Only one problem though, she has known this special guy her whole life. I suck at summaries but hope you enjoy it anyways. After the Botwins escaped from Majestic and ended up in Del Mar, Nancy knew that meant she would not see Conrad for the foreseeable future and felt lonesome as a result. She would miss that beautiful black body of his and the feeling of his thick 10" cock inside of her was a wonderful feeling but was starting to develop feelings for another man, or at least someone who was on the verge of become a man.
The entire main cast. The entire show is one for the Mama Bear trope, albeit one that often feels unintentional. A running theme in the early seasons is that Nancy's attempts to provide for her children often result in her spending very little time with them, and her absence may be contributing to their very troubling sociopathic behavior. After the Cerebus Syndrome kicks in, Nancy frequently and openly acknowledges her parental shortcomings, and wonders more than once whether or not her actions are motivated by selfishness, and whether or not she always chooses to get back into the drug game because she's attracted to chaos and danger. Detective Ouellette is pretty corrupt.
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